Spring Communication

Freshly made for you! and cynically nicking its name from the Children of Alice’s new record and only slipping in a short exerpt of the track  – this is a mix that takes in a lot of the stuff from the recent EU postcards posts and shakes them like multi coloured sprinkles over the whipped vanilla cone of european unity. or something. Make mine a 99.

harbinger of spring

Jonáš Gruska  –  V dolinách/Píly
Children Of Alice  –  The Harbinger of Spring (excerpt)
Einstürzende Neubauten  –  Hymnen
Sias  –  Spring Communication
Unholy Satan  –  Let Satan Speak Through Your Anus
TapeWorm  –  Nahnitý mozog
Maoupa Mazzocchetti  –  Portion
Microlith  –  Acid in a Church
Pierre Bastien  –  Gnostic Illicit Song
Lumisokea  –  Jenseits (Dub)
Driftmachine  –  Gaukelwerk
Oranssi Pazuzu  –  Luhistuva aikahakki
Black Candle  –  Gray ritual
Mirt  –  Michael’s Theme
Leyden Jars  –  Industrial Estate Revolution
Banabila, Machinefabriek  –  Awake
Machinefabriek  –  Vowls
Jenny Hval  –  Untamed Region
S Olbricht  –  Rien
Gondwana  –  A Gospel Of Dirt
Jonáš Gruska  –  Teba hľadá duša má, pokoja nikde nemá /Pasa II.

 

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cats ‘n’ techno – they love it

cats-1904-vintage-postcard-italy-from-porto-dascoli-to-pisa

Italian kittens. Let’s press on and round out this tour of EU countries by Friday, get to the pub early. Italy – it ain’t all pizza and bunga bunga. Some more techno here, a couple of releases on Opal Tapes at the end of this week. Both tunes up for streaming are claustrophobic, driving, machine-tooled clank and grind. No messing, no murk, no time wasters. Gondwana is Andrea Taeggi who has put out stuff on Opal Tapes before including last year’s excellent Transmissions From Revarsavr  as half of Lumisokea with Koenraad Ecker. The title track ‘Miccaotli’ has some clattering erratic percussion and builds a unique pile of twisting metal noises up on top.

Domenico Crisci is pretty much new to me but has put out stuff on all kinds of labels including Jealous God, which makes sense, even the title ‘Black Roses’ is like something Jealous God or Downwards would put out – and it has that familiar dark pounding thing going on. It’s splendid.

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